Stolen Voices will feature as an installation piece at the Queen Migrant Takeover Party at Arts Admin on Saturday 11th November from 7.30pm onwards. Curated by Xavier De Sousa the event questions the current nauseating waves of nationalism that keep breaking over our lives and relationships. See here for more information on the evening and […]
Women in Sound/Women on Sound Launch and Research 2017
Early in September 2017 the redesigned website for WISWOS (Women in Sound/Women on Sound) was launched. Designed by Tony Doyle with input from Linda O’Keeffe, Diana Chester, Joanna Helms and myself, the site aims to host the research projects we are currently working on as well as providing a hub to support and make visible […]
Stolen Voices in Newcastle 2017
Stolen Voices was invited to perform at PUG in Newcastle, a performance night hosted by Rosa Postlethwaite and Hannah Walker at the Tyneside Irish Centre. Johanna and I performed extracts developed during our residency at Snape Maltings with SPILL Festival and the support of the Live Art Development Agency. Some of this writing will also […]
Documenting Performance: Migration and Documentation 2017
In September 2017, I presented a paper on ‘Transdisciplinary Migrations: Aurality, Affect and Documentation’ at the annual TaPRA (Theatre and Performance Research Association) conference held at Salford University. The working group, convened by Johanna Linsley and Georgina Guy questioned the role of the document in producing legal performances of the self provoking questions related to […]
Stolen Voices: Aberdeen Documentation 2017
Stolen Voices Aberdeen took place from February to June, 2017. Stolen Voices is an ongoing project which focuses on the UK coast. This version of the project formed part of Silver City Stories, an initiative by Aberdeen City Council, Visit Aberdeenshire and the University of Aberdeen to celebrate the history, heritage and stories of local […]
Stolen Voices: The Felixstowe Affair 2017
Stolen Voices: The Felixstowe Affair has been selected as one of the Live Art Development Agency’s DIY projects. In partnership with SPILL Festival and Snape Maltings Johanna Linsley and Rebecca Collins will be working with a small group of composers and sonic artists to explore live art and performance techniques in an acoustic investigation of […]
Taking Space: Women in Electronic Music 2017
In June 2017, I was one of a small group of women invited to present on my practice in an event called ‘Taking Space: Women in Electronic Music’ at Durham University. Organised by Shelly Knotts and Patricia Alessandrini the event was connected to a forthcoming issue of ICMC’s Array Journal. The event provided insight into […]