On Listening in to the Scientific Mundane: Parameters for Understanding Uncertainty and Political Indeterminacy
Performance Research, Vol 28, No. 19 April 2024
On being a body listening: vocal expression beyond words in Ant Hampton and Britt Hatzius’ this is not my voice speaking and nature theater of Oklahoma life and times – episodes 3 & 4
Studies in Theatre and Performance, 17 Aug 2023
The role of values in future scenarios: what types of values underpin (un)sustainable and (un)just futures?
Current Opinion in Environmental Sustainability, Vol. 64, October, 2023
Experiments in Aural Attention: Lingering Longer & Listening Away
Journal of Artistic Research, Vol. 27, 2022
Report: Creative Arts Practices and Future Environmental Values
Chapter 5 ‘The role of diverse values of nature in visioning and transforming towards just and sustainable futures’ in The Regional Assessment Report on Biodiversity and Ecosystems in Europe and Asia, 2022
Commission for a Noir Movie B in the Bay of Biscay
#4 Bricks from the Kiln, 2021. eds. Natalie Ferris, Bryony Quinn, Matthew Stuart and Andrew Walsh-Lister ISBN 978‐0‐9956835‐2‐5
Aural Attunement is a form of performative writing used to write about nonhuman affective relations in Emma Bennett’s Slide Show Bird Show
in ‘Staging Atmospheres: Theatre and the Atmospheric Turn’, no. 7, vol. 2, 2021 Ambiances Journal of Sensory Environment, Architecture and Urban Space
Review: Theory for Theatre Studies: Sound
Journal of Dramatic Theory and Criticism, 2021
Stolen Voices is a slowly unfolding eavesdrop on the coast of the UK
with Johanna Linsley in Layered Landscapes: Cultural Investigations in Northern British Edgelands, Arts Vol, 8, 140, 2019
Stolen Voices 001 Extended Liner Notes & Digital Album
with Johanna Linsley in ASAP/Journal Open Access platform (Association for the Study of Arts of the Present), 2019
in Contemporary Theatre Review 28:2, 165-178, 2018
Border by Water
with Johanna Linsley, The Fifth Chapter, Something Other, 2018
Just In Time: The Felixstowe Affair
with Johanna Linsley in A Spill Reader, 2018. ed. Diana Damian Martin ISBN 978-0-9565447-2-8
Sound, space and bodies: building relations in the work of Invisible Flock and Atelier Bildraum
A Journal of Media Culture, 2017 20:2
On Becoming Audience: Performing Aural Attention
PhD Thesis, University of Aberystwyth 2016. Supervised by Prof. Adrian Kear and Dr Andrew Filmer
Anna Braithwaite and Everyday Opera
British Music Collection, 2016
Making Marks: The Paper Club
Planet: The Welsh Internationalist, vol. 214, 2014
Dear Institution
CARPA 3: The Impact of Performance as Research, University of the Arts, Helsinki ed. Annette Arlander ISBN 2341-9679, 2013
On Being Audience: Modalities of Theatrical Speech and Listening
Activate Vol. 2, No. 1, 2012
Consultancy Report Stockton-on-Tees Artist Development Evaluation
(available on request), 2016
Changing the Scene
with Paul Heritage and Rachel Sanger, 2008. (Queen Mary University: London) Pub2582
Staging Human Rights
with Paul Heritage and Rachel Sanger. 2008. (Queen Mary University: London) Pub2581