Month: October 2017

  • Women in Sound/Women on Sound Launch and Research 2017

    Early in September 2017 the redesigned website for WISWOS (Women in Sound/Women on Sound) was launched. Designed by Tony Doyle with input from Linda O’Keeffe, Diana Chester, Joanna Helms and myself, the site aims to host the research projects we are currently working on as well as providing a hub to support and make visible […]

  • Stolen Voices in Newcastle 2017

    Stolen Voices was invited to perform at PUG in Newcastle, a performance night hosted by Rosa Postlethwaite and Hannah Walker at the Tyneside Irish Centre. Johanna and I performed extracts developed during our residency at Snape Maltings with SPILL Festival and the support of the Live Art Development Agency. Some of this writing will also […]

  • Documenting Performance: Migration and Documentation 2017

    In September 2017, I presented a paper on ‘Transdisciplinary Migrations: Aurality, Affect and Documentation’ at the annual TaPRA (Theatre and Performance Research Association) conference held at Salford University. The working group, convened by Johanna Linsley and Georgina Guy questioned the role of the document in producing legal performances of the self provoking questions related to […]